In my second in the series of show exposés, we investigate a
few shows that were cancelled early in their existence. Each was dropped for various reasons, and in
these brief commentaries I’ll explain some of my suspicions about why they were
dropped. Some people may find my feelings justified, some may deny them, and there were no doubt various other factors
involved in each cancellation. These are
purely my opinions, based on my biased viewpoint and personal feelings. Beyond that, I personally feel these shows
deserved to be continued. So, in no
particular order...
Jeremiah: A month ago, I’d never seen a single episode
of this series. Now, it is quite
possibly the best post-apocalyptic series I’ve ever encountered! The premise stirs the imagination; just think
of the world falling apart when everyone past puberty dies of a disease—this is
what the world could look like 15 years later.
The characters are well rendered and there is significant growth with
them, and the acting is top notch. There
is some nudity/sex in some of the episodes, and they swear about as much as my
father does (which is quite a bit), but if you can overlook these adult
elements (or if you enjoy them), this show is incredible to watch. It’s about surviving, rebuilding, and
restoring hope.
It sucks that it only ran for 2 seasons. There was so much more to tell! I expect this show was cancelled because it
was ahead of its time. In the early
2000’s, there wasn’t as big a fan-base for this sort of dark, gritty future
fiction. Today, we have shows like The Walking Dead that prove there is a
larger television market for character-driven dystopian survival stories. Also, the “adult” elements hindered the
show’s marketability. If they’d gone for
a PG-13 effect, they could have sold it to more broadcasters, even if it may
have diminished its gritty realism in some respects.
Jericho: Another post-apocalyptic show that I found
quite captivating. At the time it first
aired, the theme may have been a bit too “9/11 Truther” for your average
viewer, but now, with the exposure of the NSA spying, government surveillance,
drones, and the continuing attacks on American liberties, the premise of
factions within our own government conspiring to destroy the country, in order
to “reform” it seems far more plausible—frighteningly so. But, in 2007, it was only a few “conspiracy
theorists” willing to buy into this premise, and that likely lowered the
ratings. Today, this show would be more
popular.
Stargate Universe: The final end to the great Stargate
saga? I hope not, but right now it’s
looking pretty bleak. SGU changed
everything for the franchise, taking what had been a winning formula of
action-adventure sci-fi and seeking to give us a darker, grittier series. The storyline started out slowly, and after
watching the first season I wasn’t all that pleased with it. We had some good ideas, though also some real
dud stories (I swear “Life” is the worst episode of any SG series ever). Where the first season was lacking, Season 2
succeeded, bringing us back into the sort of imaginative, adventurous Stargate
that I enjoyed in SG-1 and Atlantis, albeit with more “edge.” The last 10 episodes are my favorite of any
Stargate series, and I wish they could somehow bring this back, to continue the
story. Alas, that doesn’t seem to be in
the cards.
The Job: Denis Leary’s comedy about cops in New York
City. This show was hilarious, but its
timing was wrong. Its second season was
due to air after 9/11/2001, so in the wake of the terrorist attacks nobody
wanted to laugh about wacky NYC police officers. They were “heroes” after that, so the cynical
nature of this series was no longer funny for a lot of people. If this had aired in the 1990’s it probably
would have run for a few more seasons, as it should have.
Enterprise: Well, at least we got 4 good seasons out of
this last Star Trek series. There was a
lot to like about this “prequel” show, giving us a glimpse into events before
the Federation. The first couple of
seasons were a little slow, and I think they may have tried to emulate the
original series too much, giving us a lot of dry, moral lessons. That all changed with Season 3, and by season
4 we had the perfect blend of action/adventure, think-pieces, and overall
Trekkie-ness. Some people found the
third season to be somehow wrong, but I think it worked well (I just would have
ended the whole thing differently, erasing the events from history via the
temporal effects that went on—the attack on Earth at the end of Season 2 would
never have happened because they changed the timeline by stopping the Sphere
Builders).
The show’s decline and fall came about due to several
factors. One of those was the dry
aspects of the first two seasons. I didn’t find them that dull, but others did,
and some of the story elements were only interesting to bonafide Trekkies. Another aspect, as minor as it might seem,
was the theme song. There was a lot of
criticism of it, and there were actually people who boycotted the show over
it. Yes, it might seem ridiculous and
petty, but when you have thousands of fans having a fit over you using
“sickening soft-rock” instead of the traditional orchestration, it can cause
problems. I believe this alienation of a
small percentage of the audience was just enough to diminish the ratings, and
thus set the ball rolling for the eventual cancellation.
Believe it or not, there are still people pushing for them
to make Season 5 of Enterprise, though I fear that starship has sailed.
Odyssey 5: Another “adult-oriented” sci-fi show that got
cut short with season 1 (and with an annoyingly-unresolved cliffhanger). This show was a victim of Showtime’s
short-sightedness. There were a lot of
fascinating elements to this show, and we were just getting a glimpse of how
things were going to fit together with the finale. I think this show would have been fantastic
in its second season, but the first one was more of a set-up toward that
end. Sadly, it didn’t stir enough
interest.
Firefly: A must on any sci-fi fan’s list. Canceling this series was the biggest mistake
anyone in Hollywood has ever made. This
show had a solid fan-base when it was on the air for its single half-season, so
much so that it justified the creation of a movie to help conclude it. I have long held the belief that this show
was shut down because it was too “anti-authoritarian.” The characters came off as very libertarian,
and not in the cool “mainstream” rebellious sort of way. That was unacceptable
to certain people in charge of programming.
Okay, enough of my conspiratorial rant.
This show should have run for years, not months, and it sucks that it’s gone.
Okay, there you have just 7 shows on my list of cancelled
gems. What are some of your favorite
shows that didn’t survive?
Martinus:
ReplyDeleteI loved Firefly and agree wholeheartedly. Canceled by idiots.
Another great show whose life was cut short was Farscape, a gem of a show and a must-see for anyone who enjoys quirky, creative sci-fi. It showcased a host of excellent aliens, an original storyline, and top-notch acting. And some of the hottest alien babes this side of Seven-of-Nine. Although it lasted only four seasons (plus a mini-series to bring the story to a conclusion), it was great fun while it lasted. I don't know why it was cut short, but it was unwarranted.
I consider myself a Trekkie, yet could not tolerate Enterprise after one (very long) season. I wanted to love it, but found it terribly boring - the stories and the characters. And yes, I also despised the lame theme song, which was a painful intro to what proved to be a painful prequel.
With regards to anything Star Gate related, I have never understood how that embarrassment remained on the air. I found it unbearably cheesy - the acting, the stories, and the premise of the entire cliche mess. And did I mention the acting? Ugh, what a load of third-rate B-movie stand-ins. Compared to most sci-fi shows, Star Gate is a joke. Good riddance, I say!